St Andrew's Cathedral, Glasgow

Name:
St Andrew's Cathedral, Glasgow
Region:
Glasgow
Nominated by:
Merchant City Community Council
Year:
2012
Award category:
General
Project status:
Entrant
Architect/Lead designer:
James Gillespie Graham (1816), Page/Park (2011)

Summary Description

Despite internal changes to St Andrew’s, its Gothic exterior remains largely unchanged and the Cathedral is a striking architectural feature, presenting an attractive appearance from either side of the River Clyde.

The purpose of the proposed works was twofold: firstly, the fabric of the existing Cathedral building required conservation and repair, and secondly, the Cathedral was not large enough to fulfil its intended purpose as the principal church of the Archdiocese of Glasgow.

A full programme of conservation has been undertaken on the building and the external enclosing elements of a new cloister have been constructed. The completion of this cloister will provide a flexible multipurpose space to increase the Cathedral’s potential as an appropriate social, exhibition and educational building.
The use of stone is continued within the extension and the use of other materials – bronze and lead – reflects and reinforces the import of the existing building.

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Supporting Statement

It is important that a City Centre has buildings which bring pleasure...

It is important that a City Centre has buildings which bring pleasure to the resident community as well as attracting the interest of visitors. St Andrew's Cathedral fulfils this objective, and for almost two hundred years has been the spiritual home of Glasgow’s Roman Catholics. Its restoration, completed in April 2011, has enhanced its place as a building of outstanding beauty, offering a peaceful oasis of tranquillity and a meeting point for all who are drawn to the city from near and far. The renovations have brought such a transformation that all who visit are overawed and embraced by an ambience of light, colour and spaciousness.

The Cathedral is home to significant works of art by locally known artists and craftsmen such as Tim Pomeroy (baptismal font), Jack Sloan (sacristy doors), and of course the already famous Peter Howson painting of Saint John Ogilvie, Catholic martyr hanged at Glasgow Cross. Other artistic features link us to places abroad, such as the mosaics which were crafted in Bethlehem and the font and the altars made of Carrara marble from Italy.

The Cloister Garden emphasises the Cathedral’s role as a place for everyone, offering a pleasant space for relaxation. The central monument, while marking a particular tragedy from history, invites the visitor of today to reflect on words that offer inspiration and comfort to all. Moreover, the whole garden area offers a gathering space for hosting groups and social events, a function which will be further expanded when the building of the cloister is completed in a later phase. The visitor experience is enhanced by the peaceful sound of the water feature, by the informative plaques recording some of the Cathedral’s history, and by the rare feature, for Glasgow, of an olive tree from Tuscany.

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